Who Cares?

  • November 9, 2014 / 17:10

Director: Mara Mourão
93’, Brazil, 2012
Portuguese, English, Spanish with Turkish subtitles

WHO CARES is a documentary about social entrepreneurs around the world. People who are making changes, bringing solutions, generating huge social impact and most of all, inspiring people to do the same. A film that searches the world for brilliant people with simple solutions to the hard global issues. The goal of WHO CARES is to inspire people around the world, especially young people from ages 15 years-old up, to learn more about, become excited by and want to be engaged in the social entrepreneurship revolution. It doesn’t matter if you work in education, finance, human rights, health, environmental affairs, or another field altogether; it doesn’t matter if you work in the private, public or social sector. If you see problems as opportunities, you already have what it takes to be a changemaker, a social entrepreneur.

Not Business as Usual

Not Business as Usual

Into Eternity

Into Eternity

DamNation

DamNation

Keep On Rolling: The Dream of Automobile

Keep On Rolling: The Dream of Automobile

Celeritas

Celeritas

Torre David: The World’s Tallest Squat

Torre David: The World’s Tallest Squat

Infinite Vision

Infinite Vision

Who Cares?

Who Cares?

Souvenirs of the Future

Souvenirs of the Future

You try to remember the future. A bird painted on the ceramic panel in a historical palace has found its place on the wall. The tiles of a church and a mosque have been painted on canvas. The pattern of a centuries-old ceramic plate appears before you on a velvet curtain.

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”. 

A Night at Pera Museum

A Night at Pera Museum

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.