Into Eternity

  • November 8, 2014 / 12:45

Director: Michael Madsen
75’, Denmark, Finland, Sweden 2010
English, Swedish, Finnish with Turkish subtitles

Onkalo (Finnish for "hiding place") is under construction: it's a cavernous world of tunnels and corridors, a permanent storage facility for nuclear waste, meant to last 100,000 years (that's 20 times as long as the pyramids have so far). Conceptual artist Michael Madsen's film is a creepy, eerily elegant meditation on human folly, punctuated by philosophical and historical references, that asks: how do you keep 3,000 future generations from inadvertently opening this Pandora's Box? Should markers be posted in every language or in hieroglyphics that say "keep out"?

Not Business as Usual

Not Business as Usual

Into Eternity

Into Eternity

DamNation

DamNation

Keep On Rolling: The Dream of Automobile

Keep On Rolling: The Dream of Automobile

Celeritas

Celeritas

Torre David: The World’s Tallest Squat

Torre David: The World’s Tallest Squat

Infinite Vision

Infinite Vision

Who Cares?

Who Cares?

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Reminiscences of Motifs

Reminiscences of Motifs

Prominent motifs from Islamic art continue to shape contemporary productions with their symbolic conno- tations. The plant ornaments and geometric patterns seen in Kütahya tiles are used in ceramic objects such as vases and jugs as well as in

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.