You’ll Never Be Alone

  • January 28, 2017 / 15:30

Director: Alex Anwandter
Cast: Sergio Hernández, Andrew Bargsted, Jaime Leiva, Edgardo Bruna
Chile, 2016, BluRay, color, 82’

Nothing makes us so lonely as our secrets.

After his gay teenage son, Pablo, is badly beaten up by some homophobic youngsters, Juan, a withdrawn manager at a mannequin factory struggles between having to pay his son's exorbitant medical bills and his last attempt at making partner at his company. As he runs into dead-ends and unexpected betrayals, he'll discover that the world can be violent with him too. Juan has made too many mistakes, but his son can still be saved.

One of the examples of contemporary Chilean cinema, “Nunca Vas a Estar Solo”, while providing a harsh critique of society, also touches upon impunity, one of the biggest problems in our country as well. The violent targeting of groups marginalized by the society through impunity and the feeling of despair capture the audience, calling them to a challenging confrontation.

#BKKY

#BKKY

Arianna

Arianna

James Baldwin Selection

James Baldwin Selection

Glitch FF Selection: Persistence of Memory

Glitch FF Selection: Persistence of Memory

Who's Gonna Love Me Now?

Who's Gonna Love Me Now?

Portrait of Jason

Portrait of Jason

First Girl I Loved

First Girl I Loved

The Nest

The Nest

What He Did

What He Did

You’ll Never Be Alone

You’ll Never Be Alone

Real Boy

Real Boy

The Watermelon Woman

The Watermelon Woman

queer (ab)uses of archives

queer (ab)uses of archives

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed! 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.