Although it reminds us the dusty closets, the definition of archive gets even more blurry, while we are documenting our each day and clicking “archived” status for e-mails. Like all nonhegomonics who struggle to create alternative historicities instead of grand narratives, queers, being aware of practices of inclusion and exclusion strategies of archiving, brings the question of creating new archives against the History based on denial. This section called “queer (ab)uses of archives”, seeks for a queer remedy to the politics of memory and of forgetting with the films queering the archival materials by using creative collages. with different kinds of archival materials and thus creating new narratives. Films gathering 8mm home movies, the well-known film footages with intimate testimonies are in search of queer histories. Esra Özban
Click here to take a look at the selection.
We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
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