Director: Shirley Clarke
Cast: Jason Holliday, Shirley Clarke, Carl Lee
USA, 1967, HD, b&w, 105’
“How long, Jason, how long have they sung about the freedom and the righteousness and the beauty of the black man and ignored you. How long?” Marlon Riggs
On the night of December 2, 1966, Clarke and a tiny crew convened in her apartment at the Hotel Chelsea to make a film. There, for twelve straight hours they filmed the one-and-only Jason Holliday as he spun tales, sang, donned costumes and reminisced about good times and bad behavior as a gay hustler, sometime houseboy and aspiring cabaret performer. Playing with complexities, the film was shot in a cinema vérité style, the film's subject is a man who readily admits to deceiving everyone and may be lying to the camera. Was Clarke giving Holliday a stage on which to perform in what he calls his "moment" or just using him? She worried about that herself. As Holliday notes about the ironies of life as a houseboy, "it gets to be joke sometime as to who's using who."
Almost fifty years after it was filmed, Portrait of Jason is also a potent reminder of what the world was like for black gay men in the heat of the Civil Rights movement and before the Stonewall Uprising. To restore the film, Milestone chased down the original 16mm reels, preserving this moving testimony from a gay, African-American man whose story bears witness to a history that his country would erase. This is the year for Jason Holliday and Shirley Clarke’s brilliant documentary which Ingmar Bergman says “the most extraordinary film I’ve seen in my life” to be rediscovered.
About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster…
Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)