Planet of Storms

  • November 11, 2015 / 17:00
  • November 22, 2015 / 16:00

Director: Pavel Klushantsev
Cast: Vladimir Yemelyanov, Georgi Zhzhyonov, Gennadi Vernov
Soviet Union, 1961, 83’, color
Russian with Turkish subtitles

Working from a dullish source - a novel by the Soviet sci-fi eminence Aleksandr Kazantsev - director Klushantsev overpowers the party-line dialogue with excellent effects. Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts (a cackling, swooping pterodactyl is most memorable). The filmmakers, however, forgot to include scantily clad cavewomen; this omission was quickly corrected by Voyage to the Planet of Prehistoric Woman (1968); the up-and-coming culprit was Peter Bogdanovich. – by Robert Skotak

Aelita, Queen of Mars

Aelita, Queen of Mars

Planet of Storms

Planet of Storms

The Amphibian Man

The Amphibian Man

Solaris

Solaris

Stalker

Stalker

To the Stars by Hard Ways

To the Stars by Hard Ways

Zero City

Zero City

First on the Moon

First on the Moon

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.