Director: Karen Shakhnazarov
Cast: Leonid Filatov, Oleg Basilashvili, Vladimir Menshov
Soviet Union, 1988, 103’, color
Russian with Turkish subtitles
One of the key films of the Perestroika era, Zero City tells the story of a Moscow engineer named Varakin who arrives in a small town with instructions to change the size of a locally manufactured air- conditioner part. He arrives at the company office and is welcomed by a naked secretary. Next, he finds himself sitting down to lunch. The dessert arrives, a cake that strongly resembles his own head, baked by a chef who soon shoots himself in the head. With its images of a burdensome past and an indeterminate future based on both folk tale and more modern forms of absurdism, Shakhnazarov's very funny and poignant film is a true historical touchstone. – by Kent Jones
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
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