Director: Andrei Tarkovsky
Cast: Natalya Bondarchuk, Donatas Banionis, Jüri Järvet
Soviet Union, 1972, 169’, color, black & white
Russian with Turkish subtitles
Undoubtedly one of the most profound and influential "genre" films ever, Tarkovsky's masterpiece strains the boundaries of sci-fi at every turn. The director doesn't quite bother with futuristic vistas (the film's lone city scene was simply shot in contemporary Tokyo), concentrating on the barren "soulscapes" of the characters. Among the pleasures missing from the recent, fair Hollywood remake are the many mirror-hall ambivalences of the coda and Eduard Artemiev's astonishing score (played on primitive synthesizers). - by Robert Skotak
Trailer
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.
This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
