Aelita, Queen of Mars

  • October 30, 2015 / 20:00
  • November 8, 2015 / 16:00

Director: Jakov Protazanov
Cast: Yuliya Solntseva, Igor Ilyinsky, Nikolai Tsereteli
Soviet Union, 1924, 120’, black & white; silent

The world's first feature film to use interplanetary travel as its main plot line, Aelita is based on A. N. Tolstoy's novel. A brilliant engineer and a crusty soldier travel to the Red Planet to find it inhabited by meek humanoids and ruled with an iron fist by the beautiful Aelita. Spectacular unrest ensues; will our heroes make it back home? Free of earthly logistics, the film's unique set design captures Soviet Constructivism at its graphically most unhinged.

Aelita, Queen of Mars

Aelita, Queen of Mars

Planet of Storms

Planet of Storms

The Amphibian Man

The Amphibian Man

Solaris

Solaris

Stalker

Stalker

To the Stars by Hard Ways

To the Stars by Hard Ways

Zero City

Zero City

First on the Moon

First on the Moon

Trailer

Aelita, Queen of Mars

Interview with Isabel Muñoz <br> By Merve Akar Akgün

Interview with Isabel Muñoz
By Merve Akar Akgün

Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally. 

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.