Directors: Nazlı Eda Noyan & Dağhan Celayir
France, Turkey; 8’, 2013, color
Turkish with English subtitles
An old woman and her granddaughter sit around a table and go through old family photographs. Although this old woman, at first, tries to resist looking at these pictures, she cannot resist what the past evokes. During the time it takes to drink one cup of Turkish coffee we witness the story of a little girl who hung on to life and captured happiness, although she was forced to get married at a young age. These old family photographs are transformed by the old woman's feelings of the past while her granddaughter and a cup of Turkish coffee tie her to the present.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
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