Directors: Nazlı Eda Noyan & Dağhan Celayir
France, Turkey; 8’, 2013, color
Turkish with English subtitles
An old woman and her granddaughter sit around a table and go through old family photographs. Although this old woman, at first, tries to resist looking at these pictures, she cannot resist what the past evokes. During the time it takes to drink one cup of Turkish coffee we witness the story of a little girl who hung on to life and captured happiness, although she was forced to get married at a young age. These old family photographs are transformed by the old woman's feelings of the past while her granddaughter and a cup of Turkish coffee tie her to the present.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
