Director: Zeynep Devrim Gürsel
Turkey; 22’, 2009, color
Turkish with English subtitles
Coffee Futures weaves individual fortunes with the story of Turkey's decades-long attempts to become a member of the European Union. Promises and predictions made by politicians, both foreign and domestic, are juxtaposed with the rhetorics and practices of coffee fortune telling. The widespread custom of coffee fortune telling in Turkey is an everyday communication tool. Coffee fortunes are a way of dealing with hopes, fears and worries, as well as a method of indirectly voicing matters usually left unspoken. Like any language, this narrative form has its protocols, rules and tropes; yet each fortune bears distinct marks of the teller's personal style and the individual fortune seeker's condition.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
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On Wednesdays, the students can
visit the museum free of admission.
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