Smoke

  • January 16, 2015 / 20:30
  • January 18, 2015 / 14:00

Directors: Wayne Wang, Paul Auster
Cast: Harvey Keitel, William Hurt, Giancarlo Esposito
Germany, USA, Japan; 112’, 1995, color
English with Turkish subtitles

A film about time, place and transience from writer Paul Auster and director Wayne Wang. Auggie Wren (Harvey Keitel) runs a tobacconist on an intersection in Brooklyn, providing a haven from the hustle and flow for his coterie of peculiar customers. Every morning he takes a photograph from the same spot outside. Every day a network of strangers grows more familiar. Every night Tom Waits reminds us, ‘You’re innocent when ya dream’. A Jarmuschian treat for fans of Auster, Waits and photography.

Coffee and Cigarettes

Coffee and Cigarettes

A Film About Coffee

A Film About Coffee

Coffee: Between Reality and Imagination

Coffee: Between Reality and Imagination

Hot Coffee

Hot Coffee

Straight to Hell

Straight to Hell

Smoke

Smoke

Blue in the Face

Blue in the Face

Inside Llewyn Davis

Inside Llewyn Davis

Coffee Futures

Coffee Futures

A Cup of Turkish Coffee

A Cup of Turkish Coffee

Trailer

Smoke

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Journey to the East

Journey to the East

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. This week we are sharing Ziem’s work inspired by Istanbul and “the East”! 

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?