Directors: Wayne Wang, Paul Auster
Cast: Harvey Keitel, William Hurt, Giancarlo Esposito
Germany, USA, Japan; 112’, 1995, color
English with Turkish subtitles
A film about time, place and transience from writer Paul Auster and director Wayne Wang. Auggie Wren (Harvey Keitel) runs a tobacconist on an intersection in Brooklyn, providing a haven from the hustle and flow for his coterie of peculiar customers. Every morning he takes a photograph from the same spot outside. Every day a network of strangers grows more familiar. Every night Tom Waits reminds us, ‘You’re innocent when ya dream’. A Jarmuschian treat for fans of Auster, Waits and photography.
Trailer
A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition.
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