Araf is an essayistic road movie and diary of a ghostly character, Nayia, who travels between Srebrenica and Sarajevo to Mostar in Bosnia. She has been in exile since the war and returns for the 22nd memorial of the Srebrenica genocide. The film is guided by her diary notes of the journey which merge with the myth of Daedalus and Icarus–Icarus being the name given to the winner of a bridge diving competition in her home country. Araf thus traces paradoxes of over-ambition and inevitable failure, optimism and braveness, through Nayia’s displacement and her return to her home country post-war–that of a constant terror and a permanent standstill, and the friction between displacement and permanence.
Trailer
As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
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