Director: Didem Pekün
With: Dino Bajric
Greece, Turkey, Bosnia and Herzegovina, 2018, 47’, b&w, English with Turkish subtitles
 

Araf is an essayistic road movie and diary of a ghostly character, Nayia, who travels between Srebrenica and Sarajevo to Mostar in Bosnia. She has been in exile since the war and returns for the 22nd memorial of the Srebrenica genocide. The film is guided by her diary notes of the journey which merge with the myth of Daedalus and Icarus–Icarus being the name given to the winner of a bridge diving competition in her home country. Araf thus traces paradoxes of over-ambition and inevitable failure, optimism and braveness, through Nayia’s displacement and her return to her home country post-war–that of a constant terror and a permanent standstill, and the friction between displacement and permanence.

Araf

Araf

Another Train Gıdı Gıdı

Another Train Gıdı Gıdı

Gone with the Hazelnuts

Gone with the Hazelnuts

Süreyya the Kitman

Süreyya the Kitman

Her First

Her First

Fragments

Fragments

Sarajevo March

Sarajevo March

Schildkröten Panzer

Schildkröten Panzer

Local TV

Local TV

Zavar, The Kid And Partridges

Zavar, The Kid And Partridges

Trailer

Araf

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.