Gone with the Hazelnuts

Director: Ercan Kesal
With: Resmiye Mutioğlu, Sezgin Mutioğlu, Fikret Yapıcı, Beratiye Mutioğlu, İzzet Mutioğlu, Basri Mutioğlu
Turkey, 2018, 40’, color, Turkish with English subtitles
 
“From cooperative work to seasonal employment,” the struggle of a village against capitalism... Set in the Çiçekpınar village in Düzce, this documentary aims at displaying the change of agricultural labour from the 1930s to the 2000s, the transformation of the social structure of the village. How Çiçekpınar villagers transformed from a pre-hazelnut period self-sufficient, solidaristic, communal social form to a post-hazelnut period hierarchically organized social form where each person is responsible for their own works. A miniature transition story from pre-capitalism to capitalism experienced in a small village featuring how the sons of the labouring fathers of the past now perceive their seasonal workers, and many more...

Araf

Araf

Another Train Gıdı Gıdı

Another Train Gıdı Gıdı

Gone with the Hazelnuts

Gone with the Hazelnuts

Süreyya the Kitman

Süreyya the Kitman

Her First

Her First

Fragments

Fragments

Sarajevo March

Sarajevo March

Schildkröten Panzer

Schildkröten Panzer

Local TV

Local TV

Zavar, The Kid And Partridges

Zavar, The Kid And Partridges

Trailer

Gone with the Hazelnuts

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.