Battleship Potemkin

  • October 5, 2016 / 19:00

Director: Sergei Eisenstein
Cast: Aleksandr Antonov, Vladimir Barsky, Grigori Aleksandrov, Ivan Bobrov 
1925, 75’, Soviet Union, black & white, silent with Turkish subtitles

Screened in Turkey for the first time in 1927, Battleship Potemkin was produced by Mosfilm, the oldest and largest film studio of Russia and Europe, and directed by Sergei Eisenstein, the great Russian director who for many was the wunderkind of cinema. The film, the second in Eisenstein’s filmography, was based on a true story known as the Mutiny on the Battleship Potemkin. Using a mostly realistic but occasionally romantic approach, the film tells the epic story the crew of the Battleship Potemkin in Russia’s Black Sea Fleet in 1905; the crew revolts against the unbearable living conditions on board inflicted by the navy officers of the Czarist regime, and take over command. The film aimed at socialist propaganda, but was groundbreaking for the development of cinema in terms of the technical innovations of the director and the formal choices that enriched the narration.

Battleship Potemkin

Battleship Potemkin

Le Mépris

Le Mépris

Rocco and His Brothers

Rocco and His Brothers

Hiroshima mon amour

Hiroshima mon amour

L’Atalante

L’Atalante

Hope

Hope

The Conformist

The Conformist

Bride

Bride

Persona

Persona

Metropolis

Metropolis

The Mirror

The Mirror

8 ½

8 ½

Salvatore Giuliano

Salvatore Giuliano

Trailer

Battleship Potemkin

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.