The Conformist

  • November 16, 2016 / 19:00

Director: Bernardo Bertolucci
Cast: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Enzo Tarascio, Fosco Giachetti, José Quaglio, Dominique Sanda, Pierre Clémenti
Italy-France-West Germany, 1970, 111’,  color, Italian, French with Turkish subtitles 

The story of the film takes place in the 1930s and 40s, during and after Mussolini’s time in power, and depicts the warm embrace given to fascism by the Italian bourgeoisie personified in a young man; the result is a study of the socio-psychological roots of fascist ideology.  This weak-willed “conformist” young man (Trintignant), who has bowed to social hysteria and accepted the new order without in the least questioning it, tries to come to terms with his past while becoming a hit man for his country in another country. In essence, The Conformist is a handbook for social advancement written for young men of the fascist era or an indictment against fascist collaborators. Premiered at the Berlin Film Festival in 1970, the film was nominated for the Golden Bear Award, receiving the “Interfilm Award” and the “Journalists’ Special Award”.

Battleship Potemkin

Battleship Potemkin

Le Mépris

Le Mépris

Rocco and His Brothers

Rocco and His Brothers

Hiroshima mon amour

Hiroshima mon amour

L’Atalante

L’Atalante

Hope

Hope

The Conformist

The Conformist

Bride

Bride

Persona

Persona

Metropolis

Metropolis

The Mirror

The Mirror

8 ½

8 ½

Salvatore Giuliano

Salvatore Giuliano

Trailer

The Conformist

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.