Director: Lütfi Ö. Akad
Cast: Hülya Koçyiğit, Kerem Yılmazer, Kahraman Kıral, Ali Şen, Kamran Usluer, Aliye Rona
Turkey, 1973, 93’, color, In Turkish
Made in 1973, Bride is the first film of Ömer Lütfi Akad’s Bride-Wedding-Blood Money trilogy depicting the immigration problem in Turkey, and holds a special place in the history of Turkish cinema. The film tells the story of a crowded family that has migrated from inner Anatolia to Istanbul in search of better living conditions, losing their values and disintegrating in face of big city life and the system that grinds people down, changes them, and makes them subservient to money and power. The efforts of this big and traditional family of adapting to life in Istanbul are accompanied by dreams of becoming rich. The film pits humane values against the ambition to become rich as it depicts the tragedy of the family, which is great, but humanity wins in the end.
Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
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