Director: Rebecca Zlotowski
Cast: Léa Seydoux, Anaïs Demoustier,
Agathe Schlenker
France, 80’, 2010, color
French with Turkish
subtitles
Zlotowski’s
Belle Épine is a coming of age story about a teenage girl dealing with the death
of her mother and absentee father. The girl loses herself in antisocial
behavior, turning away from her Jewish heritage personified by her supportive
aunt and uncle, and drawn into the orbit of a wrong-side-of-the-tracks classmate
and her biker friends, who gather for chaotic, sometimes lethal night-time
motorcycle meets on the edge of town. The film won the prestigious Prix Louis
Delluc and was nominated for a César Award for lead actress Léa Seydoux. The
strikingly intimate portrait of a seventeen-year-old girl follows her transition
from disaffected youth to premature adulthood with astute psychological
observation.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
The Greek god Apollo and his son Asklepios presided over the realm of medicine and healing. Apollo was also the god of light and sun, whose solar symbolism and association with medicine would become linked to Christ the Physician, and the resurrected.
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