Director: Ali Hamroyev
USSR, Uzbekistan, 1985, 92’, color
Cast: Vyacheslav Bogachyov, Zinaida Sharko, Liliya Gritsenko, Gulya Tashbayeva, Davlyat Khamraev
No dialogue
Ali Hamroyev has made but one theatrical feature in the last two decades: 1998’s decidedly offbeat Bo Ba Bu, a controversial cross-cultural sexual parable for which he lured French actress Arielle Dombasle to Uzbekistan. Dombasle (who is married to French philosopher Bernard-Henri Lévy) plays a blonde European woman who appears out of nowhere in the Central Asian desert. She is taken into captivity by two shepherds, Bo and Bu, who name her Ba and treat her as property and sexual object. The fact that Hamroyev’s drama is both trading in primal archetypes (the eternal triangle, male rivalry and sexual jealousy, women as commodities of exchange) and completely without dialogue (the characters communicate with grunts and gestures) suggests the allegorical nature of the exercise; to less sympathetic critics, the film treads into the territory of soft-core exploitation.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
