Director: Ali Hamroyev
USSR, Uzbekistan, 1966, 82’, black & white
Cast: Lyutfi Sarymsakova, Sairam Isayeva, Bolot Bejshenaliyev, Khikmat Latypov, Mokhammed Rafikov
Russian with Turkish subtitles
In his first feature to receive international acclaim, Hamroyev took a painterly view of the landscape of the steppes while establishing his trademark theme of the role of atypical and rebellious women. Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond. Even more fascinating than the trajectory of the affair itself is Hamroyev’s detailing of intricate, tradition-bound family relationships, and his depiction of customs including the violent, fast-paced horseback game of Buzkashi.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
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