Director: Ali Hamroyev
USSR, Uzbekistan, 1966, 82’, black & white
Cast: Lyutfi Sarymsakova, Sairam Isayeva, Bolot Bejshenaliyev, Khikmat Latypov, Mokhammed Rafikov
Russian with Turkish subtitles
In his first feature to receive international acclaim, Hamroyev took a painterly view of the landscape of the steppes while establishing his trademark theme of the role of atypical and rebellious women. Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond. Even more fascinating than the trajectory of the affair itself is Hamroyev’s detailing of intricate, tradition-bound family relationships, and his depiction of customs including the violent, fast-paced horseback game of Buzkashi.
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
