Director: Ali Hamroyev
USSR, Uzbekistan, 1972, 84’, color
Cast: Suimenkul Chokmorov, Dilorom Kambarova, Bolot Bejshenaliyev, Talgat Nigmatulin, Melis Abzalov
Russian with Turkish subtitles
Sergio Leone's westerns were very popular in the Soviet Union, where they inspired a series of "Red Westerns" (aka "Eastern Westerns" and "Sov-Easterns") often set during the Basmachi Revolt of the 1920s, which pitted Islamic traditionalists against Communist reformers in Central Asia. Co-scripted by Andrei Konchalovsky, The Seventh Bullet centers on Maxumov, a Red Army officer whose men are persuaded to switch sides by the charismatic Basmachi leader Khairulla. In a daring move, Maxumov allows himself to be captured and brought to Khairulla's stronghold, where he struggles to regain the hearts and minds of his apostate soldiers. The ideological battles (presented with remarkable ambiguity) are matched by slam-bang shootouts and chases.
I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.
Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)