Brief Encounters

  • March 5, 2016 / 19:00
  • March 11, 2016 / 18:00

Director: Kira Muratova
Cast: Vladimir Vysotskii, Kira Muratova, Nina Ruslanova, Elena Bazilskaya, Aleksei Glazyrin
Soviet Union, 1968, 96’, black & white
Russian with Turkish subtitles

For her astonishing debut feature, Kira Muratova cast herself as Valentina, the head of a regional housing office in a backwater Soviet-era town. For some time, Valentina has been carrying on an affair with Maxim, a free-spirited geologist who occasionally passes through town on prospecting missions. She hires a country girl, Nadya, as a housemaid, not knowing she had a relationship with Maxim during one trip. The lives, memories, and desires of these characters are woven together through Muratova's subtle and intricate montage, showing through flashbacks each woman's idealization of Maxim - played by Vladimir Vysotsky, a performer of anthemic underground songs hailed then as the "Russian Bob Dylan." Banned and shelved til glasnost, Brief Encounters rankled the censors with its freewheeling morals and tough look at everyday Soviet life. Muratova unflinchingly records the dismal housing conditions, lack of public facilities, and growing desperation of the young workers who have abandoned the countryside to try their luck in the city.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Cameria (Mihrimah Sultan)

Cameria (Mihrimah Sultan)

Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.