Brief Encounters

  • March 5, 2016 / 19:00
  • March 11, 2016 / 18:00

Director: Kira Muratova
Cast: Vladimir Vysotskii, Kira Muratova, Nina Ruslanova, Elena Bazilskaya, Aleksei Glazyrin
Soviet Union, 1968, 96’, black & white
Russian with Turkish subtitles

For her astonishing debut feature, Kira Muratova cast herself as Valentina, the head of a regional housing office in a backwater Soviet-era town. For some time, Valentina has been carrying on an affair with Maxim, a free-spirited geologist who occasionally passes through town on prospecting missions. She hires a country girl, Nadya, as a housemaid, not knowing she had a relationship with Maxim during one trip. The lives, memories, and desires of these characters are woven together through Muratova's subtle and intricate montage, showing through flashbacks each woman's idealization of Maxim - played by Vladimir Vysotsky, a performer of anthemic underground songs hailed then as the "Russian Bob Dylan." Banned and shelved til glasnost, Brief Encounters rankled the censors with its freewheeling morals and tough look at everyday Soviet life. Muratova unflinchingly records the dismal housing conditions, lack of public facilities, and growing desperation of the young workers who have abandoned the countryside to try their luck in the city.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).