The Asthenic Syndrome

  • March 9, 2016 / 19:00
  • March 19, 2016 / 14:00
  • March 26, 2016 / 18:00

Director: Kira Muratova
Cast: Olga Antonova, Sergei Popov, Galina Zakhurdaeva
Soviet Union, 1990, 153’, color, black & white
Russian with Turkish subtitles

"My country had reached bankruptcy and there was nowhere else for it to go.
Everything had to burst!"
Kira Muratova

 

 

Muratova's impressionistic portrait of the USSR reaching the end of its tether is for many the most powerful single achievement of the glasnost cinema. It was initially held up for distribution but then finally released and went on to win the Silver Bear at the 1990 Berlin Film Festival. The film begins with a story, shot in black and white, of a woman soon after the death of her husband. Yet what troubles her is not only his death; something larger, much darker and more powerful, is brewing inside her. Then one day it happens: it all comes out as she's riding a public bus. Her diatribe is astonishing - but then we discover that this has all been an introduction to the "real" film that Muratova wants to make. Mixing documentary, farce, melodrama, black comedy, social problem picture and psychological portrait - along with a few other elements - The Asthenic Syndrome is a unique, one-of-a-kind film, an epic yet deeply personal response to Soviet life and history.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos. 

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

A Carriage and a Squat House  <br>Liliana Maresca

A Carriage and a Squat House
Liliana Maresca

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.