Three Stories

  • March 13, 2016 / 16:00
  • March 19, 2016 / 17:00
  • March 27, 2016 / 15:00

Director: Kira Muratova
Cast: Sergey Makovetskiy, Leonid Kushnir, Zhan Daniel
Russia, Ukraine, 1997, 105’, color

Russian with Turkish subtitles

Three Stories was Muratova's most successful release since The Asthenic Syndrome, and also her most controversial. It consists of three short films linked by the common theme of murder. Their titles, "Heating Basement No. 6," "Ofelia," and "Death and the Maiden," are tongue-in-cheek references to high-culture classics and signal Muratova's challenges both to Tarantino's Pulp Fiction and to the didactic traditions of Russian literature and film. She gives us four cold-blooded murders: a throat-slitting, a strangulation, a drowning, and a poisoning, aestheticizing the violence to remind the audience this is cinema. Muratova reserves moral judgment, telling her stories in the mode of black comedy, but Russian film critics were bewildered by Muratova's distanced authorial stance. The film's unpunished crimes may be the revenge of a filmmaker who, throughout her career, was censored and censured for far less grievous offenses. - Jane Taubman.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

The Notions of Race Fred Wilson

The Notions of Race Fred Wilson

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Istanbul-Paris-Istanbul: Mario Prassinos

Istanbul-Paris-Istanbul: Mario Prassinos

Mario Prassinos liked Istanbul more than the current Istanbulites of today. It is obvious that you can understand this from the article written by her daughter Catherine Prassinos in the Pera Museum's book on the artist.