Three Stories

  • March 13, 2016 / 16:00
  • March 19, 2016 / 17:00
  • March 27, 2016 / 15:00

Director: Kira Muratova
Cast: Sergey Makovetskiy, Leonid Kushnir, Zhan Daniel
Russia, Ukraine, 1997, 105’, color

Russian with Turkish subtitles

Three Stories was Muratova's most successful release since The Asthenic Syndrome, and also her most controversial. It consists of three short films linked by the common theme of murder. Their titles, "Heating Basement No. 6," "Ofelia," and "Death and the Maiden," are tongue-in-cheek references to high-culture classics and signal Muratova's challenges both to Tarantino's Pulp Fiction and to the didactic traditions of Russian literature and film. She gives us four cold-blooded murders: a throat-slitting, a strangulation, a drowning, and a poisoning, aestheticizing the violence to remind the audience this is cinema. Muratova reserves moral judgment, telling her stories in the mode of black comedy, but Russian film critics were bewildered by Muratova's distanced authorial stance. The film's unpunished crimes may be the revenge of a filmmaker who, throughout her career, was censored and censured for far less grievous offenses. - Jane Taubman.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

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Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.