Three Stories

  • March 13, 2016 / 16:00
  • March 19, 2016 / 17:00
  • March 27, 2016 / 15:00

Director: Kira Muratova
Cast: Sergey Makovetskiy, Leonid Kushnir, Zhan Daniel
Russia, Ukraine, 1997, 105’, color

Russian with Turkish subtitles

Three Stories was Muratova's most successful release since The Asthenic Syndrome, and also her most controversial. It consists of three short films linked by the common theme of murder. Their titles, "Heating Basement No. 6," "Ofelia," and "Death and the Maiden," are tongue-in-cheek references to high-culture classics and signal Muratova's challenges both to Tarantino's Pulp Fiction and to the didactic traditions of Russian literature and film. She gives us four cold-blooded murders: a throat-slitting, a strangulation, a drowning, and a poisoning, aestheticizing the violence to remind the audience this is cinema. Muratova reserves moral judgment, telling her stories in the mode of black comedy, but Russian film critics were bewildered by Muratova's distanced authorial stance. The film's unpunished crimes may be the revenge of a filmmaker who, throughout her career, was censored and censured for far less grievous offenses. - Jane Taubman.

Brief Encounters

Brief Encounters

Passions

Passions

The Asthenic Syndrome

The Asthenic Syndrome

The Tuner

The Tuner

Three Stories

Three Stories

Chekhov's Motifs

Chekhov's Motifs

Today's Stories: Felis <br> Hande Ortaç

Today's Stories: Felis
Hande Ortaç

Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.