Spain, Argentina, 2011, DV, 16 mm, color, 169’
Spanish and English with Turkish subtitles
Both Catalan Albert Serra and Argentinean Lisandro Alonso are two of the most idiosyncratic formal innovators in cinema. With just one film each, both of which refer to a previous work, they each reflect upon their respective forms of filmmaking without directly addressing the other. In the two and a half hour The Lord Worked Wonders In Me, Serra brings the actors from Honor de cavallería and his team of staff to La Mancha to follow in the footsteps of Don Quixote. There is a lot of debate, eating and waiting around. For Untitled (Letter For Serra), Alonso returns to the province of La Pampa to accompany the woodcutter protagonist from his film La libertad once again – a short film without words until the end, when the plot of a future film project is then read out.
It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
Today we are thrilled to present the third playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Serenades to the Sun is presented by Kornelia Binicewiczon Pera Museum’s Spotify account.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
