Directors: Antoinette Wilson, Jordan Osmond
New Zealand, 2020, 12', HDD, color
English with Turkish subtitles
From Weedy Forests to Grassy Woodlands tells the story of a community-led initiative to mitigate forest fire risk using goats and hand tools rather than herbicides, heavy machinery, and burn-offs. On a land in Australia, prone to massive bush fires, a small group of community-minded folk have pulled together to work towards restoring the ecology of their commons forest – in order to stop the future need for controlled burn-offs by the local fire authority. Burn-offs keep the township safe from out-of-control fires, but they hinder the forest’s ability to regenerate, and thus cannot provide the environment necessary for the diversity of insects, birds and animals that are necessary in a healthy forest on a healthy planet. This work being done is not only showing stunning results on the forest floor, it’s having much broader effects: the forest’s wildlife is thriving, the goats are healthy and happy, but in addition neighbours previously dubious about the project have come on board, so that new and strong community connections are being made.
The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
