Director: Philippe Borrel
France, 2019, 87', HDD, color
French, English with Turkish and English subtitles
Nowadays, IT is at the heart of almost all human activity. Has it helped to make us more autonomous citizens? Or has it transformed us into passive consumers of a market which became globalized? We are not even aware that, at the heart of technology, two rationales are now clashing: since the 80’s, the emancipatory principles of free software movements began to attack the exclusive and “private” ones defending intellectual property rights. Free software, free seeds, free medicine, free knowledge… Focusing on freedom, cooperation and sharing, these movements aim to restore the users’ autonomy and power, leading to a world free of patents, for the benefit of the common good.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.
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