Jawa El Khash, 2020
8’44”
Hammam is a virtual-reality experience that takes place in a bath house. It is an opportunity to experience the majestic and romantic nature of Islamic architecture through the spiritual elements of water and light. In Islamic architecture, light is a sublime element that enlightens the soul within the space, evoking a sense of sanctity as it seeps in through the ceiling, gifting every object it touches with a luminous golden presence. Here, sunlight acts as a mediator that ties two worlds together – the visible and the invisible, the human and the sublime, blurring the distinction between the interior and the exterior, the real and the imagined. The music of water accompanies you in the form of fountains and pools, rhythmically pulsating, reminding you of the flow of the invisible river of time. Unlike bathhouses in real life, this hammam is absent of a human spirit. The living beings in this world are butterflies, prayer beads, lanterns, fog, water and light. Through these symbolic elements, the limits of physical reality are transformed into a virtual environment that breathes surrealism and solitude.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
