Robocaliptic Manifesto: techno-politics for liberation

Paula Gaetano Adi, 2020
15’ 

The video essay Robocaliptic Manifesto: techno-politics for liberation is an urgent call to endorse a robot ‘general strike’ that will overthrow the instrumental definition of both technology and humans, while disowning the ‘white man’ as the measure for the definition of humanity. The visual manifesto asserts the importance of unlearning the imperialisms performed by modern robotic and AI technologies that reinforce the racial and colonial logic that maintain social hierarchies and inequality, while upholding the techno-liberal project that promises revolutionary liberation from labour exploitation.

 

Fusing archival and found-footage material, animation, composite imagery and first-person voiceover, the film is divided into three acts: (I) Robots on Strike: Robocalypses Reenacted; (II) Robots Beyond Instrumentality: Humanity Reconquered, and (III) Robots in the Pluriverse: Animism Reloaded. All three acts touch on the central political challenges and aesthetic needs of our time –the decolonisation of the machine and an act of radical imagination that can reclaim pre-colonial ontologies, epistemologies and the technologies of non-destructive modes of life.

Hammam

Hammam

Cura

Cura

Dark Origins

Dark Origins

Stream of Consciousness / The Caves of Hasankeyf

Stream of Consciousness / The Caves of Hasankeyf

Robocaliptic Manifesto: techno-politics for liberation

Robocaliptic Manifesto: techno-politics for liberation

Behind Shirley

Behind Shirley

Party on the CAPS

Party on the CAPS

Undercurrent

Undercurrent

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Today we are thrilled to present the third playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Serenades to the Sun is presented by Kornelia Binicewiczon Pera Museum’s Spotify account.

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.

Los Caprichos

Los Caprichos

It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.