Paula Gaetano Adi, 2020
15’
The video essay Robocaliptic Manifesto: techno-politics for liberation is an urgent call to endorse a robot ‘general strike’ that will overthrow the instrumental definition of both technology and humans, while disowning the ‘white man’ as the measure for the definition of humanity. The visual manifesto asserts the importance of unlearning the imperialisms performed by modern robotic and AI technologies that reinforce the racial and colonial logic that maintain social hierarchies and inequality, while upholding the techno-liberal project that promises revolutionary liberation from labour exploitation.
Fusing archival and found-footage material, animation, composite imagery and first-person voiceover, the film is divided into three acts: (I) Robots on Strike: Robocalypses Reenacted; (II) Robots Beyond Instrumentality: Humanity Reconquered, and (III) Robots in the Pluriverse: Animism Reloaded. All three acts touch on the central political challenges and aesthetic needs of our time –the decolonisation of the machine and an act of radical imagination that can reclaim pre-colonial ontologies, epistemologies and the technologies of non-destructive modes of life.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
Published as part of Pera Learning programs, “The Little Yellow Circle (Küçük Sarı Daire)” is a children’s book written by Tania Bahar and illustrated by Marina Rico, offering children and adults to a novel learning experience where they can share and discover together.
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