Alice dos Reis, 2019
15’
Undercurrent is a science-fiction film about a marine biologist who is leading a project for the mapping of one of the deepest areas of the North Atlantic Ocean. Her project depends on the controversial use of a developing biotechnology that works directly with a species of krill that live at low depths.
Throughout months of observation and communication, the marine biologist develops a relationship of friendship and kin with the krill swarm, while observing their movements through the nano-cameras incorporated into their bodies as they slowly move through the deeper zones of the ocean. As the end of her project approaches, the biologist is faced with ethical questions regarding her relationship to the non-human and the systems that mediate their contact with humans.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
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