Le Mépris

  • September 28, 2016 / 19:00

Director: Jean-Luc Godard
Cast:  Michel Piccoli, Brigitte Bardot, Jack Palance, Fritz Lang, Giorgia Moll, Jean-Luc Godard
France, Italy , 1963, 103’,  color, French, English, Italian, German with Turkish subtitles

Adapted by Godard from Alberto Moravia’s novel Il Disprezzo, this film has often been cited as one of the best 50 films of the history of cinema. Screenwriter Paul Laval goes to Capri with his wife to work on the script of a Homer adaptation by Fritz Lang. The couple meets the American producer Prokosch there and begins to fight. Camille imagines that her husband is encouraging her to sleep with the producer so that he will get the job. The couple falls apart. Brigitte Bardot, who until then acted in light films that generously showcased her naked body, worked for the first time with a pioneering New Wave director like Godard, and the rare cinematic harmony between the two ensured the success of the film. Godard quotes André Bazin, the famous cinema critic: “Cinema changes our look with a world that suits our desires.”

Battleship Potemkin

Battleship Potemkin

Le Mépris

Le Mépris

Rocco and His Brothers

Rocco and His Brothers

Hiroshima mon amour

Hiroshima mon amour

L’Atalante

L’Atalante

Hope

Hope

The Conformist

The Conformist

Bride

Bride

Persona

Persona

Metropolis

Metropolis

The Mirror

The Mirror

8 ½

8 ½

Salvatore Giuliano

Salvatore Giuliano

Trailer

Le Mépris

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.