Director: Can Candan
Turkey, 2012, 82’
Benim Çocuğum takes us in to five different households in Turkey. We listen to lesbian, gay, bisexual and trans kids stories from their parents point of view. All the stories have denial, trauma, helplessness, fear, shame, acceptance and rebirth themes in common. While a mother worries that her kid is going to be hurt, the other one remembers the first bra she bought for her trans daughter. A grandmother asks “Is this from God?” and she is ready to accept what is from God. These parents that accepted their kids as they are in a transphobic and homophobic society, redefine being an activist while sharing their experiences. The documentary that takes its power from the parents love is a simple and sincere expression of the most powerful resistance against homophobia and transphobia.
Trailer
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
The Greek god Apollo and his son Asklepios presided over the realm of medicine and healing. Apollo was also the god of light and sun, whose solar symbolism and association with medicine would become linked to Christ the Physician, and the resurrected.
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