One Week

Director: Buster Keaton
Cast: Buster Keaton, Sybil Seely, Joe Roberts
1920, 25’, Black & White, DCP
Restoration: Cinetece di Bologna Music: Uninvited Jazz Band

Buster and his sweetheart Sybil (Sybil Seely) are just married. As a wedding present, his uncle gives them a plot of land along with a pre-fabricated house, still in its box. Buster is confident he can put it all together, but Handy Hank, Sybil’s jilted would-be boyfriend, has changed the numbers on all the pieces needing to be assembled.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

Seaside Leisure

Seaside Leisure

Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle. 

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.