Nathan the Wise

Director: Manfred Noa
Cast: Fritz Greiner, Carl de Vogt, Lia Eibenschütz
1922, 128’, Tinted & toned, DVD
Restoration: Munich Film Museum
Original Music: Aljoscha Zimmermann, Sabrina Hausmann (violin) ve Mark Pogolski (piano) 

Based on a play of the same title published by Gotthold Ephraim Lessing in 1779, this film is a fervent plea for religious tolerance. Promoted as the “Film for all humanity”, the film resolves at Jerusalem during the Crusades. Concentrating on interreligious tolerance, the film shows epic scenes and melodrama in a world where Islam, Christianity and Judaism coexist in harmony.

The film will be introduced by Stefan Drössler.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Doublethinking About Big Brother! <br> 11 Quotes from 1984

Doublethinking About Big Brother!
11 Quotes from 1984

Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?