Nathan the Wise

Director: Manfred Noa
Cast: Fritz Greiner, Carl de Vogt, Lia Eibenschütz
1922, 128’, Tinted & toned, DVD
Restoration: Munich Film Museum
Original Music: Aljoscha Zimmermann, Sabrina Hausmann (violin) ve Mark Pogolski (piano) 

Based on a play of the same title published by Gotthold Ephraim Lessing in 1779, this film is a fervent plea for religious tolerance. Promoted as the “Film for all humanity”, the film resolves at Jerusalem during the Crusades. Concentrating on interreligious tolerance, the film shows epic scenes and melodrama in a world where Islam, Christianity and Judaism coexist in harmony.

The film will be introduced by Stefan Drössler.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

The Success of an Artist

The Success of an Artist

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations? 

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.