Silent Dance

Director: Aynur Özbakır
Türkiye, 2024, 41’, DCP, color
Turkish, Sign language

Silent Dance tells the story of Turkey's first ballerina with hearing impairment: Eda Tavacı's extraordinary relationship with sounds, music, people and her body. It draws a success story from the life full of difficulties and vulnerabilities of a young woman who holds on to life by dancing against noise, deeply rooted habits and deafness. Eda's dream is to find her own voice in the darkness of violence against women within the metropolitan chaos and to inspire others. But in a world that makes people to lose sensibilities every day, how can a girl who tries to bond with the rest of the World as she also expects support from her mother realize this naive desire? The film sheds light on the milestones in Eda Tavacı's life, starting from her childhood until she graduated from university; it draws the portrait of an artist who transforms the ballet stage into a huge world, captures a completely different sense of rhythm by imagining the music she cannot hear, and compensates for the absence of sounds with the energy hidden in her body.

The crew will attend.

Holdstill

Holdstill

Small Finds

Small Finds

Silent Dance

Silent Dance

Wild Women of Anatolia

Wild Women of Anatolia

Yakto Cannot Be Abandoned!

Yakto Cannot Be Abandoned!

No.910

No.910

Night and Fog in Kurdistan

Night and Fog in Kurdistan

Sweet Home Adana

Sweet Home Adana

The Only One. Elizabeth

The Only One. Elizabeth

Between Delicate and Violent

Between Delicate and Violent

60’’

60’’

Feeding the River: 20 Years of Anadolu Kültür

Feeding the River: 20 Years of Anadolu Kültür

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.