The Bodyguard

  • May 2, 2015 / 14:00
  • May 8, 2015 / 21:00

Director: Ali Hamroyev
USSR, Uzbekistan, Tajikistan, 1979, 91’, color

Cast: Alexander Kaidanovsky, Anatoly Solonitsyn, Gulya Tashbayeva, Oleg Fedulov
Russian with Turkish subtitles

Like The Seventh Bullet, The Bodyguard is an example of the "Red Western," set again during the Basmachi Revolt of the 1920s. This time, however, the primary reference point is not Sergio Leone, but the classic Hollywood westerns of Budd Boetticher and Anthony Mann. When a Basmachi leader is captured, the Red Army enlists a veteran local hunter to escort the prisoner, accompanied by his servant and daughter, across difficult terrain, pursued every step of the way by a relentless Basmachi usurper and his soothsayer wife.

White, White Storks

White, White Storks

Bo Ba Bu

Bo Ba Bu

The Seventh Bullet

The Seventh Bullet

Man Follows Bırds

Man Follows Bırds

The Bodyguard

The Bodyguard

I Remember You

I Remember You

Is mutual understanding possible? <br> Berlinde De Bruyckere

Is mutual understanding possible?
Berlinde De Bruyckere

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.  Through the biennial, we will be sharing detailed information about the artists and the artworks.

Rational Medicine in Byzantium

Rational Medicine in Byzantium

Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina. 

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.