Director: Krzysztof Kieslowski
Cast: Irène Jacob, Wladyslaw Kowalski, Halina Gryglaszewska
Music: Zbigniew Preisner
France, Poland, Norway, 1991, 98’, color
French, Polish, Italian with Turkish subtitles
Krzysztof Kieslowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. Irène Jacob is incandescent as both Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Though unknown to each other, the two women share an enigmatic, purely emotional bond, which Kieslowski details in gorgeous reflections, colors, and movements. Aided by Slawomir Idziak’s shimmering cinematography and Zbigniew Preisner’s haunting, operatic score, Kieslowski creates one of cinema’s most purely metaphysical works: The Double Life of Véronique is an unforgettable symphony of feeling.
Music by Zbigniew Preisner
Trailer
Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
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