Stephen the King

  • December 2, 2016 / 18:00
  • December 3, 2016 / 16:00

Director: Gábor Koltay
Cast: László Pelsöczy, Miklós Varga, Gyula Vikidál
Music: Levente Szörényi        
Lyrics:  János Bródy, Gábor Koltay, Miklós Boldizsár
Hungary, 1984, 100’, color
Hungarian with Turkish subtitles

The Stephen the King is an iconic Hungarian rock-opera composed by Levente Szörényi and Lajos Bródy based on the life of Saint Stephen of Hungary. The show was first staged in 1983. The choice of a theme was both strongly connected with national history and with the Christian religion seemed rather daring in the Hungary of the early 1980s. The opera is based on actual historical events, yet treats them quite freely. In the late 10th century, Géza, ruling prince (fejedelem) of the pagan Magyar (Hungarian) people recognized that his people would not have a future if they did not found a Christian state. He invited Catholic missionaries to his lands and let his son Vajk be baptized István (Stephen) and brought up as a Catholic.

Marketa Lazarová

Marketa Lazarová

The Insanely Sad Princess

The Insanely Sad Princess

The Return of Dragon

The Return of Dragon

Birds, Orphans and Fools

Birds, Orphans and Fools

The Copper Tower

The Copper Tower

Johnny Corncob

Johnny Corncob

Ballad for the Bandit

Ballad for the Bandit

Stephen the King

Stephen the King

The Double Life of Veronique

The Double Life of Veronique

All That I Love

All That I Love

The Queen of Silence

The Queen of Silence

Balaton Method

Balaton Method

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.