Director: Eduard Grečner
Cast: Radovan Lukavský, Gustáv Valach, Emília Vásáryová
Music: Ilja Zeljenka
Slovakia (Czechoslovakia), 1968, 82’, black & white
Slovak with Turkish subtitles
This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic and earthy story about the strange potter, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of sheep from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals. This is not a simple ethnographic probe to anthropology of Slovaks but a modern, refined film work, one of the best of Slovak cinema.
Trailer
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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