Director: Eduard Grečner
Cast: Radovan Lukavský, Gustáv Valach, Emília Vásáryová
Music: Ilja Zeljenka
Slovakia (Czechoslovakia), 1968, 82’, black & white
Slovak with Turkish subtitles
This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic and earthy story about the strange potter, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of sheep from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals. This is not a simple ethnographic probe to anthropology of Slovaks but a modern, refined film work, one of the best of Slovak cinema.
Trailer
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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