Directors: Marta Rodriguez, Jorge Silva
1975, 51', b&w
Spanish with Turkish subtitles
Why and how do peasant and indigenous communities pass from social submission to a process of organisation? This question drove the making of Marta Rodriguez and Jorge Silva’s Campesinos, airing a masterful poetics of the portrait with Brechtian re-enactments of working conditions on colonial coffee plantations in 1970s Colombia. The documentary is at once a call to self-organisation and revolt, and a lucid analysis of indigenous struggle and the significance of land.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
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