Cemetery

  • September 17, 2022 / 18:00

Director: Carlos Casas
2019, 85', HDD, color
Sinhalese, English with Turkish subtitles

Carlos Casas’ Cemetery begins as the endangered elephant Nga and his mahout Sanra prepare for their last journey, soon to be tracked by poachers possessed by fables about a mythical elephant graveyard. As the poachers die mysteriously, one after another, the adventure film unfolds into a spacious cinematic experiment, carrying viewers to the ancient animal’s demise and far beyond. With the film’s allegorical passage through the stages of death, the indexical image is gradually subsumed by a rich sonic journey.

Cemetery

Cemetery

Leviathan

Leviathan

Taking the Horse to Eat Jalebis

Taking the Horse to Eat Jalebis

From the Pole to the Equator

From the Pole to the Equator

Expedition Content

Expedition Content

Where is the Friend’s House?

Where is the Friend’s House?

Taking Pictures

Taking Pictures

Cannibal Tours

Cannibal Tours

Vampir-Cuadecuc

Vampir-Cuadecuc

 Peasants

Peasants

Pacific 3, 2, 1, Zero (Part 1)

Pacific 3, 2, 1, Zero (Part 1)

the time is now. (I+II)

the time is now. (I+II)

Landscape #4: How to Improve the World

Landscape #4: How to Improve the World

Letters from Panduranga

Letters from Panduranga

Europium

Europium

Tellurian Drama

Tellurian Drama

Post-Military Cinema

Post-Military Cinema

Some Questions on the Nature of Your Existence

Some Questions on the Nature of Your Existence

A hook but no fish

A hook but no fish

Mud Man

Mud Man

Returning Souls

Returning Souls

{if your bait can sing the wild one will come} Like Shadows Through Leaves

{if your bait can sing the wild one will come} Like Shadows Through Leaves

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.