Cemetery

  • September 17, 2022 / 18:00

Director: Carlos Casas
2019, 85', HDD, color
Sinhalese, English with Turkish subtitles

Carlos Casas’ Cemetery begins as the endangered elephant Nga and his mahout Sanra prepare for their last journey, soon to be tracked by poachers possessed by fables about a mythical elephant graveyard. As the poachers die mysteriously, one after another, the adventure film unfolds into a spacious cinematic experiment, carrying viewers to the ancient animal’s demise and far beyond. With the film’s allegorical passage through the stages of death, the indexical image is gradually subsumed by a rich sonic journey.

Cemetery

Cemetery

Leviathan

Leviathan

Taking the Horse to Eat Jalebis

Taking the Horse to Eat Jalebis

From the Pole to the Equator

From the Pole to the Equator

Expedition Content

Expedition Content

Where is the Friend’s House?

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Taking Pictures

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Cannibal Tours

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Vampir-Cuadecuc

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the time is now. (I+II)

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Europium

Europium

Tellurian Drama

Tellurian Drama

Post-Military Cinema

Post-Military Cinema

Some Questions on the Nature of Your Existence

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A hook but no fish

A hook but no fish

Mud Man

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Returning Souls

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{if your bait can sing the wild one will come} Like Shadows Through Leaves

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Symbols

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Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Turquerie

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Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

Marcel Duchamp’s Bicycle Wheel

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In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.