Taking Pictures

  • September 23, 2022 / 19:00
  • October 1, 2022 / 15:00
  • November 5, 2022 / 18:00

Directors: Les Mclaren, Annie Stiven
1996, 56', color
English with Turkish subtitles

Directors Les McLaren and Annie Stiven interview filmmakers about the ethical questions and issues of representation raised when filming Papua New Guinean and other cultures. Taking Pictures features clips from many Australian ethnographic documentaries filmed in PNG.

Text by Pat Fiske, Australian Screen, National Film and Sound Archive of Australia (NFSA)

Cemetery

Cemetery

Leviathan

Leviathan

Taking the Horse to Eat Jalebis

Taking the Horse to Eat Jalebis

From the Pole to the Equator

From the Pole to the Equator

Expedition Content

Expedition Content

Where is the Friend’s House?

Where is the Friend’s House?

Taking Pictures

Taking Pictures

Cannibal Tours

Cannibal Tours

Vampir-Cuadecuc

Vampir-Cuadecuc

 Peasants

Peasants

Pacific 3, 2, 1, Zero (Part 1)

Pacific 3, 2, 1, Zero (Part 1)

the time is now. (I+II)

the time is now. (I+II)

Landscape #4: How to Improve the World

Landscape #4: How to Improve the World

Letters from Panduranga

Letters from Panduranga

Europium

Europium

Tellurian Drama

Tellurian Drama

Post-Military Cinema

Post-Military Cinema

Some Questions on the Nature of Your Existence

Some Questions on the Nature of Your Existence

A hook but no fish

A hook but no fish

Mud Man

Mud Man

Returning Souls

Returning Souls

{if your bait can sing the wild one will come} Like Shadows Through Leaves

{if your bait can sing the wild one will come} Like Shadows Through Leaves

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.