Director: Beatriz Santiago Muñoz
2014, 11', color
Post-Military Cinema was shot in Ceiba, Puerto Rico, in a cinema that was once part of the Roosevelt Roads US Naval Base. The cinema apparatus—light, audience, projections, sound—offers up frames through which Santiago Muñoz regards new events taking place in the defunct architecture. A beekeeper manages the bees that are part of the soundtrack; afternoon light streams in for about an hour each day, projecting images of the forest that has reclaimed the base since its closure.
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In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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