40 Days of Silence

  • April 5, 2017 / 19:00
  • April 7, 2017 / 11:00

Director: Saodat Ismailova
Cast: Rukhshona Sattarova, Barohat Shukurova, Saodat Rahimova, Farida Olimova
Uzbekistan, The Netherlands, Germany, France, 2014, 88’, color
Tadjik with Turkish and English subtitles

Chilla focuses on a family living in rural Uzbekistan, surrounded in isolation by a striking, mountainous terrain. In this matriarchal home, men are inexplicably removed. Each of the four women portrayed find themselves at turning points–of one sort or another–in their lives. Director Ismailova offers a contemplative view into an extraordinarily intimate female world. Her film is a portrait of four individuals closely tied to one another, and the solitary process by which each builds their own identity. It is a testament to the human will towards self-determination, told through carefully composed, sweeping imagery.

Ta’ang

Ta’ang

In Vanda’s Room

In Vanda’s Room

Neighboring Sounds

Neighboring Sounds

The White Ribbon

The White Ribbon

40 Days of Silence

40 Days of Silence

The Apple

The Apple

Youkali

Youkali

Toponymy

Toponymy

What Now? Remind Me

What Now? Remind Me

Dogville

Dogville

a good neighbor Shorts

a good neighbor Shorts

Fragments of Identity

Fragments of Identity

The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.

Doublethinking About Big Brother! <br> 11 Quotes from 1984

Doublethinking About Big Brother!
11 Quotes from 1984

Our Doublethink Double vision exhibition’s title alludes to George Orwell’s seminal work 1984 and presents a selection that includes Tracey Emin, Marcel Dzama, Anselm Kiefer, Bruce Nauman, Raymond Pettibon, and Thomas Ruff, as well as Turkish artists, tracing the steps of pluralistic thought through works of art.

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.