40 Days of Silence

  • April 5, 2017 / 19:00
  • April 7, 2017 / 11:00

Director: Saodat Ismailova
Cast: Rukhshona Sattarova, Barohat Shukurova, Saodat Rahimova, Farida Olimova
Uzbekistan, The Netherlands, Germany, France, 2014, 88’, color
Tadjik with Turkish and English subtitles

Chilla focuses on a family living in rural Uzbekistan, surrounded in isolation by a striking, mountainous terrain. In this matriarchal home, men are inexplicably removed. Each of the four women portrayed find themselves at turning points–of one sort or another–in their lives. Director Ismailova offers a contemplative view into an extraordinarily intimate female world. Her film is a portrait of four individuals closely tied to one another, and the solitary process by which each builds their own identity. It is a testament to the human will towards self-determination, told through carefully composed, sweeping imagery.

Ta’ang

Ta’ang

In Vanda’s Room

In Vanda’s Room

Neighboring Sounds

Neighboring Sounds

The White Ribbon

The White Ribbon

40 Days of Silence

40 Days of Silence

The Apple

The Apple

Youkali

Youkali

Toponymy

Toponymy

What Now? Remind Me

What Now? Remind Me

Dogville

Dogville

a good neighbor Shorts

a good neighbor Shorts

The Other Side of New Year's Eve: <br> Pera Film's Alternative New Year's Watchlist

The Other Side of New Year's Eve:
Pera Film's Alternative New Year's Watchlist

As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.

Game of Mangala

Game of Mangala

Three figures in Eastern dress are shown in repose against an exotic landscape, smoking pipes and playing mangala. Inventories of the royal collections from 1739 identify the members of this group as the royal eunuch Matthias and two odalisques. 

Happy Republic Day!

Happy Republic Day!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.