Director: Jonathan Perel
Argentine, 2015, 82’, color
Spanish with Turkish and English subtitles
In the 1970s, Tucuman province in the northwest of Argentina was site to an armed rebellion of the rural working class. The uprising was violently dismantled by the country’s military, and to avoid any similar revolt in the future, the government relocated surviving indigenous peoples to four newly built settlements. It is in these four villages–each named after a different soldier who fell in the military response–that the film Toponimia takes place. Perel’s portrait offers only glimpses of the current inhabitants, their primary presence lying in the audio, while the camera records the fragile infrastructure that remains from the rapid planning forty years before.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
