Director: Jonathan Perel
Argentine, 2015, 82’, color
Spanish with Turkish and English subtitles
In the 1970s, Tucuman province in the northwest of Argentina was site to an armed rebellion of the rural working class. The uprising was violently dismantled by the country’s military, and to avoid any similar revolt in the future, the government relocated surviving indigenous peoples to four newly built settlements. It is in these four villages–each named after a different soldier who fell in the military response–that the film Toponimia takes place. Perel’s portrait offers only glimpses of the current inhabitants, their primary presence lying in the audio, while the camera records the fragile infrastructure that remains from the rapid planning forty years before.
It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power.
By using our website, you allow cookies. For more information, please visit our cookie policy.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
