Director: Lars von Trier
Cast: Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr, Paul Bettany, Blair Brown, James Caan, Philip Baker Hall, Udo Kier, Chloë Sevigny
Denmark, Sweden, Norway, The Netherlands, Finland, France, UK, Germany, Italy, 2003, 178’, color
English with Turkish subtitles
With a minimal, stage-like set incorporating only chalk outlines of streets and houses on the floor, Dogville is set in the small, fictional town of Dogville. The film tells the story of Grace Mulligan, a fugitive on the run who must gain the trust of the townspeople to be able to stay. What starts off as Grace’s voluntary participation in the community gives way to an increasingly abusive dynamic. Her presence catalyses dark impulses within the town’s citizens and raises complex issues of morality, accountability, power and human relationships.
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
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