Director: Pedro Costa
Portugal, Germany, Switzerland, 2000, 170’, color
Portuguese with Turkish and English subtitles
Pedro Costa’s film is a confluence of documentary and fiction. His protagonist, Vanda, is a non-professional actor who performs in scenes set in her own neighbourhood in the Lisbon slums. Vanda is either selling vegetables in the street or taking drugs in the one-room hovel that she shares with her sister, as the neighbourhood is literally torn down around them by the local authorities. In this framing, Costa offers a rich vision of place and of human defiance in the face of urban planning from above.
When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.
Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
By using our website, you allow cookies. For more information, please visit our cookie policy.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
