Evidentiary Bodies

  • April 21, 2018 / 18:00
  • May 4, 2018 / 21:00

Director: Barbara Hammer
Cast: Barbara Hammer
USA, 2018, 10', color, b&w; without dialogue
 

Evidence, broadly construed, is anything presented in support of an assertion. In these horrific times when lies are blatantly exclaimed as truths, when fear makes us withdraw from each other, when difference is maligned as xenophobia and when atrocities are committed in the name of spectacle, we must find and practice a quiet way of compassion, sympathy, and generosity through E M P A T H Y.

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Evidentiary Bodies

Evidentiary Bodies

Welcome To This House

Welcome To This House

Maya Deren’s Sink

Maya Deren’s Sink

Generations

Generations

Lover/Other

Lover/Other

Resisting Paradise

Resisting Paradise

History Lessons

History Lessons

Tender Fictions

Tender Fictions

Nitrate Kisses

Nitrate Kisses

Dyketactics

Dyketactics

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.