Maya Deren’s Sink

  • May 2, 2018 / 19:00
  • May 24, 2018 / 19:00

Director: Barbara Hammer
Cast: Bekka Lindstrom
USA, 2011, 30', color, b&w, English with Turkish subtitles
 

Maya Deren's Sink explores Deren's concepts of space, time and form through visits and projections filmed in her Los Angeles and New York homes. The project began after Hammer discovered a sink formerly owned by Deren at Anthology Film Archives and embarked on an homage to the "Mother of American Experimental Cinema." Hammer re-imagines Deren’s film locations of the 1940s in the present, providing entry into intimate spaces and former times, reclaiming the places that inspired the influential filmmaker.

Free admissions. Drop in, no reservations.

Evidentiary Bodies

Evidentiary Bodies

Welcome To This House

Welcome To This House

Maya Deren’s Sink

Maya Deren’s Sink

Generations

Generations

Lover/Other

Lover/Other

Resisting Paradise

Resisting Paradise

History Lessons

History Lessons

Tender Fictions

Tender Fictions

Nitrate Kisses

Nitrate Kisses

Dyketactics

Dyketactics

Trailer

Maya Deren’s Sink

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.