In Vanda’s Room

  • April 6, 2017 / 16:00
  • April 9, 2017 / 11:00

Director: Pedro Costa
Portugal, Germany, Switzerland, 2000, 170’, color
Portuguese with Turkish and English subtitles

Pedro Costa’s film is a confluence of documentary and fiction. His protagonist, Vanda, is a non-professional actor who performs in scenes set in her own neighbourhood in the Lisbon slums. Vanda is either selling vegetables in the street or taking drugs in the one-room hovel that she shares with her sister, as the neighbourhood is literally torn down around them by the local authorities. In this framing, Costa offers a rich vision of place and of human defiance in the face of urban planning from above.

Ta’ang

Ta’ang

In Vanda’s Room

In Vanda’s Room

Neighboring Sounds

Neighboring Sounds

The White Ribbon

The White Ribbon

40 Days of Silence

40 Days of Silence

The Apple

The Apple

Youkali

Youkali

Toponymy

Toponymy

What Now? Remind Me

What Now? Remind Me

Dogville

Dogville

a good neighbor Shorts

a good neighbor Shorts

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.

Sea Baths

Sea Baths

It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.

Fragments of Identity

Fragments of Identity

The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.